Rippingale Shot Plans

 We have found a fantastic stretch of disused train track to use for our production. The former train house is still on site, and runs alongside the train track, so it will give the impression that the girl is waiting for a train to come. However, there are two trains on the tracks that cannot be moved, which may present us with some issues. The map below shows how we will overcome this issue:

Filming Day Planning

Monday, 26th November 20128:00am - meet at Bourne Cemetery to commence filming of shot 1 (8:00-9:00) and shot 13 (9:00am to 11:00am)

12:30am - meet in Bourne, where James's Dad will take us to Tallington train track. Commence filming of shots 2, 5, 10 and 12.

Sunday, 2nd December 2012

8:00am - meet at abandoned train track in Rippingale, to commence filming. Filming of shots 3, 6, 7, 9, 10, between 8:00am and 1:00pm, when James Craig (Killer) is present. Filming of shots 4 & 8 can be done after 1:00pm.

Shot List - Starter

1. Pan right through the four gravestones, with titles on each one

2. A cut away shot of the train moving – Close up shot

3. Girl is waiting at the train station with killer close behind – mid shot

4. Point of View from Killer, gagging the girl.

5. Another cut away of the train moving quickly – close up shot

6. Shot of killer gagging the girl, and lifts girl over his shoulder, walking her down the train track – mid close

up shot

7. Shot of killer putting girl down onto the train track – mid/long shot

8. Shot of the girl being tied down to the train track – close up

9. OTS shot from the killers shoulder, removes balaclava and turns to camera, at which point the girl looks shocked and recognises the killer – close up

10. Another shot of the train moving quickly – close up

11. Killer runs off leaving the girl helpless – close up

12. Side on shot of train coming, indicates death – close up

13. FTB, final shot shows mourner walking up to gravestone and laying flowers – mid shot

Questionnaire Results

I asked 10 people, including both males and females, aged between 11-17 a questionnaire to help us improve our thriller opening. The results can be seen below:

The results from question one show that people like Comedy films the most, followed by Horror films and Thriller. This shows us that although we are not making a comedy film, we could try and add an element of comedy into our thriller opening, to try and attract a wider audience. 

Question 2 shows that people in our target age group go to the cinema quite frequently. A large proportion went to the cinema just 2-4 weeks ago, and so we should bear in mind that our film does not need to be in the cinema for too long. 

Question three shows us that over 3/4 of the people like films to be 1 1/2 and 2 hours long. This shows us that the film cannot be too long, as the audience's attention might diminish if it is any longer. Also, it shows us that fast editing and fast-paced action need to be included to maintain the audience's enjoyment. 

The large proportion of our target audience do not stream movies online. This shows us that making the effort to make our film available on services such as Netflix would perhaps be a wasted effort, and that people would prefer to enjoy our movie via more traditional media methods. 

Question five shows us that the majority of people would like to go out with friends given t wo hours leisure time, instead of watching a movie. It shows us that we should work on promoting our film on posters, billboards, in taxis, buses and resturants, instead of working on promotions in the cinema. 

The last film the majority of people watched was Skyfall, the new James Bond film. At the time our survey went out, this film was extremely popular, and so it shows that people watch films that are 'in trend' - films that other people are watching and talking about on social media services such as Twitter and Facebook, and on the television and the news. 

100% of the people we asked said that they would like to watch a film involving death. This shows us that we should ensure we involve death in our film, and this is something that we have included in the opening of our thriller. 

Around 50% of our audience would spend between £5:01 and £10 on a film. Again, this shows our group that if we were working on selling our film, this is the price range we should base it on. 

This shows that most people would prefer to watch films where they have to concentrate on the plot. Therefore, we should work on making the plot more complex, and perhaps slightly twisted, so that it slowly becomes apparent to the audience how the film will end. 

Question 10 shows that the majority of our sample agree with the statement that they are a film enthusiast. It shows us that the people who we are targeting our film at are people who watch films on a regular basis, and therefore they will be experts at analysing and watching films. Therefore, we should work to ensure the film is as good as it can be, to provide the audience with the maximum amount of enjoyment.

Analysing Title Sequences, by Matt Bostock

 

The title sequences above are all taken from the ‘How we Built Britain’ title sequence. The sequence consists of a series of aerial/high angle pan shots of buildings shaped as the letters that make up the word ‘Britain’. Some shots were also created in the edit using 3D effects in software such as Adobe Photoshop. The shots pan the different buildings, which range from old castles to modern day skyscrapers. Two shots of each building are then edited together, and arranged to spell the word Britain.

For the final shot, each of the buildings are then edited next to each other, with the words ‘How we Built’ edited towards the top left of the shot. This then makes the whole title of the film appear on the last frame. As this is a television series, it does not feature any text overlay for roles such as director or editor, as we would perhaps more commonly expect in films of the Thriller genre.

An interesting technique used is the introduction of a Land Rover car in each shot from the A of Britain, which can be seen driving through each shot. This gives the sense of continuity, and makes the audience feel as though they are driving through, finding these letters on their journey. The car then drives along all of the letters in the final shot.

Apart from the car, no other props are used, and no obvious additional lighting is introduced. Each shot typically features the countryside, apart from the N, which is filmed in a city environment.

 

By Matt Bostock

Title Credits

 

 

Director – Matthew Bostock

Editor – James Parronchi

Starring – James Craig, Annabelle Potts & Connor Marshall

Narration - James Parronchi

Costume Plan

Killer (James C) – Black coat, black gloves, black trousers, trainers, shirt or t-shrt (although covered up by coat) possibly – used to make him look like a poor, random killer (Gang-type films), wearing a balaclava to conceal his identity, we could make him look like someone from a street gang or who doesnt have much wealth. – like he’s not a professional killer and maybe has not had previous experience.

Victim (Annabelle) – Typical damsel in distress character; clothes used to epitomise her fragility; we need to purvey her innocence through her clothes. Unfortunately this may not be possible because of the weather.

Mourner (Connor) – Average everyday clothes, quite plain to reflect his importance in the film, which is minimal.

Music

I have found a good source of free to use music that we could use for our production:

http://incompetech.com/music/royalty-free/index.html?genre=Horror

I think the one called Controlled Chaos on the first page would be particularly good for us to use, as I feel that it hits the theme of our film well, and is similar to the non-diegetic sound used in the opening of Se7en.


The works on the page are licenced under the Creative Commons Attribution Licence, meaning that we can use the work as we need (http://creativecommons.org/licenses/by/3.0/)