Leon
Leon shows many reasons why it could be a conventional
thriller but there are also scenes that don’t generally fit in with the
normality. For example, the way the film starts seems to be trying to mess with
the audience as it works to keep the identity of Leon a secret by only showing
his eyes as he hides behind his glasses. Main conventions of a thriller include
things like death and that is referred to a lot in the first few scenes of this
film as Leon kills a lot of men to get what he needs.
Tension is built very well by the film in this scene and
although we cannot relate to Leon due to his hidden identity and the reference
to him being a killer with no conscience, we do feel straight away that he is a
good guy against these other men due to the fact that they work for a drug
dealer and they seem to know about the risks of the job that they have. The drug dealing fat man is obviously very
scared of Leon, as shown by the number of men he needs to protect him. Leon
kills all the bodyguards in ingenious ways and seems to be very good at what he
does. The whole scene seems to show him teasing the men by killing them off a
few at a time and not being where he is expected to be. This scene has a very
witty, almost comical view to killing people. The non-digetic tense music
throughout is very jumpy and slows down at points of interest until eventually
the fat man is all that is left and as soon as the knife touches his throat all
sound comes to a sudden end. At this
point we would say that although the symbolism of death is very conventional of
a thriller, the movie is unconventional due to the audience having no way of
relating to Leon who is a main character and the way in which the first scene
throws the audience straight into the action even though they know that Leon is
clearly going to succeed in his mission as the film would be very short if the
main character died in the first scene.
Most thrillers usually include some sort of quest or
mission which has to be completed and shows their journey in reaching that
conclusion. Leon does seem to start out with a quest to send a message to a
potentially dangerous drug dealer. That quest comes to an end quite quickly
though as the film seems to be trying to show the audience that Leon doesn’t
mess around and that he is capable of taking down an army of men alone. The film moves on to showing the other main
protagonist of the film, Mathilda. She is portrayed as a very innocent young
girl who clearly suffers from abuse and a poor family structure as she smokes
behind her parents back and the way she is dressed shows that her role models
are clearly not very good ones. This showing of innocence shows a huge contrast
between the behaviours of the two main characters. Leon, an assassin who kills
people for work, compared to Mathilda, a young girl who ran away from school
and gets treated poorly in her household.
The way in which Leon goes out to buy milk and speaks to
this young girl with care shows that although his job is a very bad one, he
does try to function in society and does have a very caring side.
A significant aspect in many great thrillers is the
reference to the innocence in what is an essentially corrupt world. This is
shown very well through the way Leon cares for the young girl after just being
out killing people as a form of work. The plant in his flat is a huge symbol of
innocence that is essential in showing it due to the way in which Leon treats
it with such care as if it is the only thing he actually does care about apart
from the little girl that he doesn’t really seem to know too well.
When the men come round and slaughter Mathilda’s family,
there are some very disturbing shots and clips in this scene which fits the
conventions of a thriller perfectly by making the audience uncomfortable at
seeing so much death for an essentially innocent family. When Mathilda returns,
she goes straight to Leon’s door in hope that he’ll open it for her. The stakes of the scene are very apparent as Leon has a
very particular personality, one that he knows he would be going against if he
lets Mathilda in. He also knows that to not let her in would mean she would
die. His humanity eventually prevails, and from then on gradually the humanization
of the Leon starts. This image is very powerful and struck me as a very good
part of the film as it shows the way in which personalities change within an
instance and different sides of both characters are made apparent to the
audience. Although he continues to watch what is going on outside to
make sure he and the girl are not in danger.
Leon fits the general conventions of a thriller as shown
by the death and the way in which the film makes the audience feel
uncomfortable. There seems to be a quest that needs to be completed within the
film which also fits in with the general conventions and innocence is shown
brilliantly throughout the film by both characters although they both start out
with different personalities in the opinion of the audience.
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